While Sir Isaac Newton believed that “We build too many walls and not enough bridges,” he wasn’t focused on interior architecture. And, of course, Newton was being metaphorical.  Literally, he wasn’t too off mark because, in many ways, bridges are walls, in the sense that they create a physical separation within space, while simultaneously connecting them.
 
A most effective wall is the half-wall; that is, the wall that rises up, but not all the way.  This typical sheet rock partition, though firmly rooted, seemingly floats in space, giving a sculptural feel to the room.  It may be curved, straight, tall, short; in fact, any number of configurations in any number of materials may be effectively used here.  Oftentimes, this type of bridge consists of a piece of cabinetry built up three quarters way to the ceiling to visually separate two areas.  Not a full wall, it gives a modern feel to space and is an extraordinarily successful treatment in apartments or lofts, where a more open, airy feeling is desired. 
 
Hole-ly walls?  They are walls that have openings in them; they let the viewer peek through one room through to the next, as if by surprise.  These apertures may be round, rectangular, or any shape which the architect’s imagination can conjure.  The Pantheon, whose oculus pays homage to the sun, is one such example.  It permits the sun to bathe the building in light, bridging outside to in, sacred to profane.
 
Some very sensual walls are made of wood.  Exotic amboyna, burls, etc. in sculpted forms lead the viewer from one area to another, bridging the seen and the suspected.  These highly precious and expensive forms of space separation are elegant.  At the opposite end of the wood spectrum, yet no less imaginative or pricey, are walls made of trees, literally.  Bleu Nature of France, who create these more rustic, driftwood partitions, give the viewer a sense of the outside, as though one could literally bring the sandy beaches of France back home.
 
Metal walls are most unique and more common today.  Whether of nickel or bronze, silver or brass, these are sturdy constructions that accomplish the task at hand.  Though they do not transmit light, they can reflect it.  Like a wall of mirrors, images cast upon a metal wall are directed back at the observer.  As such, they are effective in opening up a space, making it appear twice its size. 
 
And, then, there is the fabric wall.  Like the screen it emulates, this type of wall moves easily.  Though unlike the former which is static, a fabric wall sways with the wind.  It’s motion is fluid.  Most common in bedrooms, it can separate the bed from its more public adjoining space.  It ensures a sense, though not necessarily complete, of privacy. Constructed of sheers or leathers, fabric walls are easier to fabricate, unless, of course, it is adhered to sheetrock. 
 
Last, but not least, is the holographic wall.  Though matterless, it’s projected image creates an imaginary, three-dimensional representation of an object.  It is, in effect, a visual screen, but unlike its cousin, one can literally walk through it.  And, all its sides are visible.  Yet, this visionary partition connects observer to space and space beyond, providing a bridge into the future.
 
So, Mr. Newton, there really aren’t too many walls, but as you would profess in your treatise, all matter is truly connected - with plenty of bridges between.

Would you like us to help you design open, airy spaces by creating effective and attractive walls?  Feel free to email us with any of your design challenges.  We are here to help you.